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Memories to Heirlooms

Remember When. . . the third time was the charm?

6/24/2019

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1x - About 20 years a go, after the love of her life died, my good friend Diane gave me a bag of his ties and asked me to make something for her.  These ties told the story from their first date to wedding day and beyond.  Once I had a clear direction, I got to work and cut two triangles from each tie with a matching one from black velvet.  They were sewn together with a 1/4" seam allowance and bordered with more velvet.  The pillow was soft and comforting thanks to the luxurious fabrics and the soft, even stuffing.  It looked almost exactly like the one pictured above.  I say almost because that picture is from the second time I worked on this pillow. . .

2x - Diane loved the first pillow and so did Louie, her adorable little poodle mix.  This pillow was Louie's choose perch and it was especially nice since it came with tassels to chew.  Diane asked me to fix it, so I took it apart completely  and resewed it.  This time I sewed a cotton backing to the patched portion of the pillow to make it more stable and added new tassels.  The results are the pillow above.
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3x - About 5 years later, I felt embarrassed as I saw the edges of the ties fraying, so once I had a plan, I got to work.
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First I took apart the whole pillow.
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Next I added woven fusible interfacing to the back of each tie piece and cut them out.  This would keep the silk from stretching and give it some stability.
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Each velvet piece was ironed, then each velvet and silk triangle was remarked and cut. ( I use water color pencils for marking.  Lots of colors, mark well, will wash out and are less expensive than quilting marking tools.)
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I "finished" each silk square by zig zagging around the edge of each to prevent it from fraying again.  I used a very fine polyester thread so that it would not add much bulk to the edge.
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I reassembled the top using the original picture as guide.  The center patchwork was now 1/2 inch smaller on all sides due to the trimming.  I cut down the cotton backing I had used before, added it again, and added the velvet border pieces and the tassels.
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I love that Diane lives with and loves her pillow and that she shares with me if there is a problem so I can fix it if possible.  It lets me stand behind my work, maintain my integrity, and helps me learn so I can apply the same techniques to future heirlooms. The pillow now measures 16"x 16". Mom kidded me that soon it will be a pincushion, but I like to think that I have now taken steps to make it last at least another 20 years (if Louie is kind!). The reality is, fabric will wear but that just becomes part of the story, doesn't it? 

​Have an heirloom that needs saving?  Contact me and we will get started!
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Remember When. . . it was in the bag?

6/18/2019

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A a quilt, Bearloom and Careloom prepared to be stuffed in to a gym bag.
I was going to meet a client for the first time and needed to take along some samples.  The only bag I had that would fit them was my gym bag. It served the purpose and
the meeting went well,  but it made me start to think about how I want to present my business. That lead to designing and creating custom bags for this purpose.  
A black and cream patch work bag.
My first inspiration was a patchwork bag that a friend at the Y carries. She had given me the pattern from www.aquiltersdream.com but I decided it wasn't quite right. It lead me to a search on Pinterest.
A quilted bag with handles.  The pocket in the from is made by finding down the fabric at an angle.  The background fabric is multi colored patchwork
That is where I found this idea on cometoquilt.blogspot.com. Simple yet stylish, with a pocket in the front to hold my binder.  I set to work creating a small and large bag.  Because I was looking for inspiration vs. instruction, it did not matter that the instructions are written in Thai. 

2 pieces of fabric strips, each made from cram grey and blue batiks.  The order of the color is varied.
  • Fabric was torn into 2 1/2"wide strips of batik fabric, then sewed together to form 2 tricolored strips, varying the order of the colors.
strips being cut using a rotary cutter and roller.
Patchwork fabric that was created.  The colors progress down in
  • Each strip was crosscut at 2 1/4". 
  • Each of these pieces were sewn together to form a pattern. Varying the order of the strip colors in earlier made this easier.
Patch work fabric with white fabric sewn to the long edge.  Safety pins are holding the layers together.
Machine quilting the patchwork design.
  • White fabric was sewn to the bottom half, and 3 layers were created with backing fabric, batting and the top design.
  • All 3 layers were pinned together using safety pins to prepare for machine quilting.
One of the finished bags
  • Having had my logo digitized, I easily embroidered it on the inside lining of the front flap.  
  • The outside and straps were constructed of a more durable duck fabric.
  • The bags were sewn with squared  corners.  
  • The lining is off-white.
Both finished bags with a Heirloom peaking out of the larger one.
These bags, one spacious, one narrow, will allow me to professionally represent
my company while my samples travel in style.  
​
Need a custom bag for your business?  Let's talk!

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Remember When... I did a favor?

6/13/2019

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Abby and Adam with a big grins, showing off her engagement ring.

The Design

My niece, Abby, has found her match in Adam. Their relationship has weathered many highs and lows in the 10 years they have been together, including: a 2 year long distance relationship, the loss of Adam's father, and 3 months backpacking through southern Asia. They developed a real knowledge and respect for each other and a strong, binding love. It was wonderful to hear that they had gotten engaged and I was so pleased when they accepted my offer to make their wedding favors.

In February 2019, Abby and her family came to visit.  While here, Abby and I started to brainstorm ideas. When my first nephew was born, I started creating and buying a yearly Christmas ornament for the family, so Abby wanted me to make an ornament to honor their wedding.  
Plants impressed into green clay ornaments hanging from a ribbon.
 Abby and her mother had found some ornaments online that were clay impressed with plants with a light stain similar to the ornaments above (from jewlerybymondaen on etsy.) I had not seen the actual idea, so I came with clay, a leaf cookie cutter and some thoughts as well.  While sitting at her grandmother's kitchen table, we played with clay and plants until we settled on a design. I wish I had taken a picture of this because it would show how well we both saw the vision out of some bits of clay. 
large porcelain acorn with a cap modeled after a sea urchin and an oak leaf for a hanger.
photo curtesy of Etsy.com/shop/SparkleUpcycledGoods
 While discussing what type of clay to use, stoneware or porcelain, I retrieved this porcelain acorn by Margaret Furlong to show what porcelain would be like. When Abby said this was one of her favorite ornaments we decided to use porcelain and raise the design.

Mold Making

miniature palm plant in a pot
eucalyptus berries
The goal was to make 170 ornaments made from two separate porcelain tiles shaped like leaves, joined by ribbon, (doubling the number of pieces.)  The plants they choose were a palm from her bouquet and eucalyptus berries from Adam's boutonniere. The berries were easy to source at Floral Designs of Mount Joy,  but their palms were too large so I purchased a miniature palm at a local greenhouse.
eucalyptus berries pressed in a rectangle of clay
the impression of eucalyptus berries pressed in clay
a palm fron pressed in clay
a faint the impression of a palm from pressed in clay
To produce that many tiles and to make them consistent, I would need to make molds.  Each plant was pressed into spare clay. Unfortunately, despite being the perfect size, the  palm did not leave a deep enough impression to work for the project.
a fern pressed  in clay
the impression of a fern pressed in clay
 So I tried a fern, which looked - wait for it - like a fern.  Luckily I found an artificial palm at Joann's Fabrics which worked beautifully.
clay piece with the impression of a palm fon in a small plastic container.  Murphy's oil soap is being brushed on to aid in releasing the mold.
6 plastic container 2/3 the way full with plater of paris
two molds that would leave an impression, one of the palm ,one of the berries
The plan:
  • Create two porcelain leaves, one with a palm, the other with berries, that mirrored each other.  
  • They would be joined by a ribbon.
  • A stamp with the date would be on the reverse side of the back leaf.
Challenges:
  • Creating plaster molds to speed the process of making so many of the same design
    • Making a press mold for clay
      • ​Create an original piece out of any clay you have. Make sure any edges are slightly beveled out so it will release from the mold.
      • Coat the clay with oil to help it release later (optional).
      • Place it in a container larger than the piece of clay, that will hold Plaster of Paris, sold at art & hardware stores.  The latter option is considerably less expensive.
      • Pour mixed plaster to cover the clay at least 3/4".
      • Pop mold out of the container and remove and dispose of the clay.
      • Allow the mold to dry and start pressing clay!
  • Making a raised image
  • Determining where to stamp the clay while still in the mold so the raised image will not get flattened but ...
  • Also deciding how to stamp the back so it is not lost when cutting the leaf
I created three different style of mold before settling in on the final solution.
Baked Femo clay leaves pressed into soft Femo to create molds for embossed leaves
finished Femo molds for embossed leaves.
Plaster molds for embossed leaves
Final mold:
  • Make an over-sized leaf out of Femo clay (hardens in a normal oven).  Press plants into that clay to create an impression.
  • Add some sides to this and bake, creating a mold that will produce a raised image.
  • Use the Femo mold to create stoneware clay pieces to use as an original to cast in plaster.  
    • Note: Plaster molds were made because they pull water from the clay and allow the leaves to release resulting in a faster process and consistent results.

Collaboration

sample ornaments.  one with palm on top and embossed, one with  and one with palm on bottom and impressed
using a cookie cutter over plastic wrap to cut out a leaf
A cut leaf with after being cut with extra clay still in place
cut leaf with rounded edge with extra clay surrounding removed.
It was time to check in with Abby and Adam.  
  • Did they want the image raised or impressed?  Raised.
  • Did they want the palm or berries on top? Berries.
  • Did they want the edges to be curved or more rustic? Rustic but smoothed.
    • Note: laying plastic wrap over clay before cutting gives a nice rounded edge.
  • They did not hang well with one hole so did they like the two? Yes.​

Production

3 of the palm molds
printing on the back of the stamp
 Now I had the green light to begin.
  • Create 10 new molds of each embossed leaf. Eliminate molds that weren't up to standard.
  • Have a stamp made.
    • Note:  Cathy at Atlas Stamp Company, York Pa. is fabulous.
    • I like the rubber cover  on the  stamp so as not to leave an outline.
  • In the future have the stamp checked to avoid having another one made with 2019 vs. 2018.
Mold with a stamping guide.  Clay has been stamped and stamp is to the left
Using a brass tube to put 2 holes in each leaf
palm leaves drying
berry leaves drying
Kiln filled with leaves
crate filled with leaves
Lee adding ribbons to ornaments

Presentation

front of finished ornment.  some see the overlapping leaves as an abstract heart, some see it as wings.
Mom bagging ornaments
  • Press porcelain into mold.  
  • Create stamping guide lines on the palm mold for stamp placement.​
  • Remove from mold recut and add the holes.  
  • Note: A template was created for the holes.  A hole punching tool was made with a brass tube as the cutter and wooden skewer as a cleaning tool.
  • Call  my sister, Lee, to help! 
  • Repeat molding, stamping, drilling 170 times with each leaf.
  • Once dried, smooth the edges with a damp sponge

  • Let dry completely
  • Note: drying on drywall helps them stay flat and dry faster.

​

​
  • Fire them in a kiln.
  • Note: normally pottery requires two firings; cooler/bisque and hotter/glaze. With no glaze, they were fired just once at the hotter setting.
  • Pack up cooled pieces and head to Mom's house.



  • Make it a family affair! 
  • Lee & I wove and tied the ribbon.
back of ornament with the stamp
  • Mom/Grandma slid them in the cellophane bags.
  • Note: We could not keep up with her and she let us know it!
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Ornaments bagged and with ribbons ready for guests to take one
  • Abby and her family added the ribbons and put them out for their wedding guests to enjoy. They placed a beautifully written message to their guests beside them which you can read at the end of the post.
 I  realize how many times my ideas had to be reworked to get to the final project.  I don't see any failure in that - simply learning. Doing custom work gives me the opportunity and freedom to learn as I go with the confidence that through collaboration and perseverance I will find the answers in the end to create something that will speak to the wishes of my client.  

When I started Remember When Studio, I did not plan on offering my pottery or stained glass skills but this project has taught me to be open to using any gifts I have to benefit others.   Need a personalized favor for your wedding or special event?  We can talk about that.
Abby's thank you to their guests:

Thank You

Ever since I can remember, my Aunt Jean has been creating beautiful, sentimental gifts for Gerdes family birthdays, holidays, and celebrations. Over the years she has made jewelry from my grandfather's cufflinks and teddy bears from his suits; custom clay portraits of beloved family pets, and personalized aprons for the time we spend baking together.  

I treasure everything my Aunt Jean creates but I have always especially loved the ornaments she makes for our family every Christmas. Every year without fail, she crafts something special for us all to hang on our trees - an ornament that commemorates a significant moment from the year, imbued layers of symbolism and heartfelt detailing. I treasure these ornaments because collectively they tell a story of our family, a story we can look back on and celebrate each Christmas season. 

So today, as our family grows, we’d like to share this tradition with each and every one of you. As a gesture of our gratitude for sharing in our wedding celebration today, we hope you will take one of these ornaments which my Aunt Jean has so lovingly made. The ornament’s botanical detailing is inspired by our wedding greenery (specifically the plants used in my bouquet and Adam’s boutonniere), and the overlapping leaves signify the coming together of two still unique and distinct lives.

It brings us so much joy to be able to celebrate with you all today, and it’s our hope that now, each December as you put up your tree, you’ll be reminded again of our gratitude
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Remember When. . . I monkeyed around with Carelooms?

6/4/2019

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​After teaching thousands of students, it is not surprising that 
I was contacted by a former student to create an heirloom for her.  Stacy had lost her son, Anthony, to the disease of addiction five years earlier and was ready to have something made from his favorite jacket.  As we talked, I became more and more impressed with Stacy as she casually explained how she had taken her grief and channeled it into helping others battle this disease.  She does not just talk but also walks alongside other families through the DSAA (Donegal Substance Abuse Alliance), and has become the first CFRS - certified family recovery specialist thru the PA Certification Board in Lancaster County.

I was humbled by this remarkable woman. As we started to talk about what she wanted to have done, she explained that she has a grandson who was too young to remember his father. Since Anthony loved monkeys, Stacy wanted two monkeys made from the jacket, one for her and one for her grandson.  She planned to use her grandson's monkey to help tell Anthony's story when he was old enough to understand.  
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The first challenge I tackled was that I did not have a monkey pattern, and I also did not have a name for a monkey.  My bears are Bearlooms, my rabbits are Harelooms - but what to call a monkey?  Nothing was coming to mind until I decided to make my whole line of animals Carelooms!
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My attention shifted to a pattern. Luckily I have friends who had monkeys who were willing to help with the design.  I started by creating a pattern from Monk Monk Holland. From there, Otto Fry and Mr. Pirece helped me to alter the pattern until I was content with Remember When Studio's Monkey Careloom.
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To test the pattern, I bought a jacket at a thrift shop and tested it out!  This taught me that the arms needed to be narrower at the shoulder and, although I remembered the pocket for the Story Starter, I forgot the pocket for the heart in the front. It would also be helpful to revise the eyes so they stood out on a dark background.  "Monkey" found a good home with my good friend Reese who adopted him on her 2nd birthday.
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Next time at the thrift store, I looked for woven fabric and found this fabulous vintage girl's dress which resulted in a slimmer monkey.  The fabric was reinforced with interfacing and the other alterations were made.  The monkey Careloom was born!
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Now I could start on the monkey's I had promised.  Stacy had told me that she could not bear to wash the jacket, but was OK if I did.  She also told me that it was OK if all the stains did not come out.  That was great because after 2 days of soaking in Oxiclean, some did not.
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The mix of the brown satin lining, the brown ribbing and the plaid outer fabric made adorable Carelooms.  The white behind the eyes was Mr Pierce's suggestion and the long legs were a special request from Stacy. The stuffed felt heart is attached at the shoulder with the pull cord from the hood.  It slips in to a special pocket in the chest, where hearts belong.
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Stacy's Careloom has a special tattoo that came from the front of the jacket.  Her grandson's Careloom is embroidered with "Stinky Butt," his father's pet name for him.
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The Monkey careloom was born through trial and error and a little help from some friends.  Have an idea for a Careloom of your own?  Contact us and let the creative process begin!
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    Author

    Jean is the owner and designer for Remember When Studio.  

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